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It's pretty remarkable to think that Weird Al is still out there day after day, album after album, doing his thing and entertaining people through the mere skill of wittily* reworking the lyrics of popular songs into mildly humorous reformulations. That's a career path. Astounding, isn't it? Not just a feasible, existing career path, but a relatively lucrative and fame-garnering one. Sign me up. I'm punny. I'll do it. Really, I would. Shame hath no boundaries like a parody songwriter.
Though Weird Al continues to churn out moderately amusing song take-offs, he was was arguably most enormously successful throughout the 80s and 90s. Kids everywhere went crazy for his albums, for no reason other than that it was kind-of sort-of funny to hear our favorite songs dessicated and reserved to us on a platter of unpretentious geekdom.
I'm not too proud to admit I was a huge Weird Al fan in my playground years. His songs spoke to kids in a way that traditionally popular songs usually did not. Kids can relate far better to a silly re-write of a song than to any actual song detailing adult behavior and practices. I don't know about you guys, but my school found Amish Paradise a hell of a lot funnier than Gangsta's Paradise. Probably mainly because we didn't know any gangsters, but also because the Amish were easier targets** who were thus less likely to shoot us for enjoying songs about their lifestyle***.
Weird Al typically had a few different types of songs that fell into his general genre of musical parody. Some songs, and arguably some of the most popular on recognizability alone, were pretty much reconstructed chord-for-chord from the original song. Others were more "in the style of" and made fun of multiple songs and artists in a single swoop. Sure, it shows cleverness to be able to incorporate all sorts of musical targets in your satirical albums, but people usually prefer a slightly modified version of what they already know.
I mean, it's a lot easier to learn the words if you already know the tune. People are pretty lazy by nature, though the true nerds among us would no doubt comb the more nuanced song for every potential musical reference.
Eat It/Fat
Alright, so maybe these songs were released four years apart, but they certainly lend themselves to being grouped together. They're direct Michael Jackson spinoff songs that parody his video schematics and have to do with ingesting food. How's that for thematic? I suppose once you find your niche, you might as well stick to it.
You've really got to give this guy some credit. He does not do things halfway. While most of us will feel justifiably silly singing our hearts out to songs that reference Cap'n Crunch, Weird Al really goes for it. He's got a flair for both the dramatic and the reassemblage of popular music video scenery.
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